Most Of The Technical Aspects Of The Song Contest These Days Relate To The Physical Staging.

https://www.tmz.com/2026/05/14/kanye-west-live-nation-israel-partnership-sets-show-for-georgia/

Broadcast technology hasn't changed much since we pulled our Flatscreen TV's into our FibreOptic Broadband.

The fact the rules change every year is part of the fun.

I've not had the chance to check this years changes. However last year stage props could be something like a maximum of 3m in height and 20kg in weight but could be stacked. While aerial aspects, on wires, were allowed for the first time.

The Song Contest is really an exercise in putting on 25 live broadcast concerts in 2 hours. Absolutely no-one has time for a soundcheck!

https://twitterwithbraincells.blogspot.com/2026/05/are-we-sure-it-wasnt-ai-filter.html

https://www.youtube.com/watch?v=VKkAJO_FOx4 (Time To Burn, Pennywise, Official Audio). 




Of course if I do check on this trail-cam too regularly I'll be the one chewing through cable-ties at an alarming rate.

However I might have to break-off from this press conference to seek the help the EBU's camera pool. Someone's brought a new toy to the party. I don't know how it works!

 https://twitterwithbraincells.blogspot.com/2026/05/i-have-successfully-mounted-trail-cam.html

M(x) = 1∫ˣ₀aₕM(x')dx'+∫^wₓ𝜶ₑM(x')dx'

😉.

https://twitterwithbraincells.blogspot.com/2026/05/that-iranian-ibrahim-sahls-law-again.html

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